TheArtofImerfection
佚名
Anonymous
Thoughweallagreethattoerrishuman,eachofusbelievesthatsheistheexcetion。We’resuosedtobeerfect(Wewerealsosuosedtoberichandfamous。)。
Butlearningfromourmistakes—andaccetingourlain—oldaverageness—isanart。Sonexttimeyoubreakalateorloseyourkeys,whynottakeitinstride?Considertheossibilitythatthereisahiddenatternbehindthemistakesinyourlife。
1。Theartofbeingneitherrichnorfamous
Inordertobeerceivedassecialanddifferent,celebritiestodaystrivetoshunthelimelightandbecomeaveragefolks。(Admitit:Don’tyouloveknowingthatSharonStoneshosattheGa?)Butregardlessofhowmuchmoneytheyhaveinthebank,orhowmuchofabuzztheycreatewhentheyshowuatacluborcharityball,famousfolkswillneverbeabletoenjoythelifeyouandIcherish。Small,reassuringleasuresareoff-limitstothem。Youneverseethemborrowingbooksfromthelibrary,lingeringinacoffeeshoorwindowshoingonMainStreet。
Oneofthesaddestthingsaboutacquiringfameandfortuneisthatonceyourealizeyouhavelenty,youmaywantlentymore。Often,lifeisnolongerasgoodasitgets。Youneversay,“Enoughalready”。
Theonlydifferencebetweenawisemanandafoolisthatthewisemanknowsheisafool。Inthesameway,theonlydifferencebetweenanextraordinarylifeandanordinaryoneistheextraordinaryleasuresyoufindinordinarythings。
2。Befoolishinublic
Honestandgullible,trustingyetreckless,layfulbutinsecure:Thesearewhatittakestobesilly。Itisusuallytheresultofacombinationofoursterlingqualitiesandourquirkyersonalitytraits。Wearetruertoourselveswhenwestomakingsense。Unlikestand-ucomicswhosetouttobefunnyandgethecklediftheyarenotsillyeolebecomelovablesimlybyembracingtheroleoftheotherguy,thecharacterwhobumsintowallsandshowsuatartieswithsocksthatdon’tmatch。
Sonexttimeyouarecaughttalkingtoyourselfinanelevator,don’taologize。Thesilentgratitudeyougeneratewhenyourevealyourmostvulnerablesidetoothersiswellworththetemoraryblush。
Flauntingyourflaws,notyourcleverness,iswhatwillmakeyouoularwithyourfriends。
3。Findmeaninginyourmistakes
Inartandarchitecture,whataearstobeagoofisoftenadeliberatesignalmeanttodrawattentiontoaarticularasectofthework。InIslamicart,forinstance,smallflawsaboundinwhatlooklikethemostluxuriouscarets,otteryandmosaics。ArtistsareurgedtouroselymakemistakestoremindadmiringobserversthatGodaloneiserfection。
Inmusic,notesthatdeviatefromanestablishedatternareoftenusedtocreateemotionaltension。Inthe“FuneralMarch”ofhisThirdSymhony,Beethovenrelacedsoundswithsilencestoexressthemountingsenseofsorrowintheiece。Inliterature,JamesJoycewasthechamionoftheintentionalerror。ForJoyce,mistakeswere“ortalsofdiscovery。”InUlysinarticular,tyos,missellingsandabsenceofunctuationaddtotheinsightfulnessofhisrose。
Takeamomenttowonderattheuniquenessofthemistakesyouareabouttomake。
4。Askforhel
Weallneedtoberemindedfromtimetotimethatwerobablydon’thavewhatittakestosolvealltheroblemsoftheworld。Butwearewonderfullyequiedtomarvelatitsexistence。Tothisend,wemustgetridoftheideathatweareindisensable。